The Salon blurb: "The Danish paper that printed the cartoons wanted to stir up trouble -- and the government wanted a culture war. They got more than they bargained for."

An excerpt from the article by Jytte Klausen: (free with a daypass)

The Economist called the Danish cartoons a "schoolboy prank." That describes them pretty well, but I like a few of them nonetheless. One is of a benign-looking Prophet, who stands on a cloud turning away a line of suicide bombers with, "Stop, stop, we have run out of virgins." That one elicited a laugh or two in my family. My favorite one, though -- which was aimed at the cartoon publishers, not Islam -- shows Mohammed as a seventh-grader, who has written on the blackboard "Jyllands-Posten's journalists are a bunch of reactionary provocateurs." Two others portray the Prophet much the way Jesus is usually drawn, but darker and with a halo that has turned into horns. The rest are a predictable mix of self-righteous, unfunny commentary and depictions of shady-looking faces with big, bulbous noses and blood-dripping swords. They tab popular prejudices about Muslims as war-mongering and misogynistic blackbeards. They are the pebble that started a tsunami -- but they were never meant to be innocent.

The cartoons started out as a gag, the kind you do when the news is slow. Flemming Rose, the paper's culture editor, decided last summer that he was fed up with what he described as the spreading "self-censorship" on matters related to Islam, so he solicited cartoonists for drawings of "how they saw the Prophet." On Sept. 30, 12 cartoons were published under the headline "Mohammed's Face." Rose cited a statement by a Danish stand-up comedian, who had complained that he was afraid to make fun of Mohammed on TV. A children's book author complained that he could not get anyone to illustrate his book about Mohammed. Another example of Islamic pieties' crushing influence on free speech was that three theaters had put on shows deriding George Bush, but none Osama bin Laden. Cartoons are an important anti-totalitarian expression, Rose wrote, and therefore the paper had asked 40 Danish cartoonists to draw their image of Mohammed. Only 12 responded. Rose implied that some of those who did not respond were infected by self-censorship.

This all would have been very well if the paper had a long tradition of standing up for fearless artistic expression. But it so happens that three years ago, Jyllands-Posten refused to publish cartoons portraying Jesus, on the grounds that they would offend readers. According to a report in the Guardian, which was provided with a letter from the cartoonist, Christoffer Zieler, the editor explained back then, "I don't think Jyllands-Posten's readers will enjoy the drawings. As a matter of fact, I think that they will provoke an outcry. Therefore, I will not use them." When confronted with the old rejection letter, the editor, Jens Kaiser, said, "It is ridiculous to bring this forward now. It has nothing to do with the Mohammed cartoons." But why does it not? Can you offend Muslim readers but not Christian readers? "In the Muhammed drawings case, we asked the illustrators to do it. I did not ask for these cartoons," Kaiser said. "That's the difference."

And therein lies the truth. The paper wanted to instigate trouble, just not the kind of trouble it got. And in this mission it acted in concert with the Danish government. "We have gone to war against the multicultural ideology that says that everything is equally valid," boasted the minister of cultural affairs, Brian Mikkelsen, in a speech at his party's annual meeting the week before Rose's cartoon editorial last fall. Mikkelsen is a 39-year-old political science graduate known for his hankering for the "culture war." He continued, "The Culture War has now been raging for some years. And I think we can conclude that the first round has been won." The next front, he said, is the war against the acceptance of Muslims norms and ways of thought. The Danish cultural heritage is a source of strength in an age of globalization and immigration. Cultural restoration, he argued, is the best antidote.